Archive for July 2015
A romantic melodrama in a broken world for “Phoenix”
By GTVW Staff
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From acclaimed director Christian Petzold (BARBARA, JERICHOW). Nelly (Nina Hoss), a German-Jewish ex-nightclub singer, has survived a concentration camp, but with her face disfigured by a bullet wound. After reconstructive surgery, Nelly emerges with a new face, one similar but different enough that her former husband, Johnny (Ronald Zehrfeld), Johnny (Ronald Zehrfeld, BARBARA), doesn’t recognize her. Rather than reveal herself, Nelly walks into a dangerous game of duplicity and disguise as she tries to figure out if the man she loves may have been the one who betrayed her to the Nazis.
During 1 hr. 38 min. this great film with a radiant cast so the relationship between the two anchors and the beautiful photography for each scene, and wardrobe for each character makes this production with great quality. The existence of a once-lively woman, the repression, cruelty, betrayal and passion for love will surprise you with a magnificent end.
Memories of silence in “The look of Silence”
By GTVW Staff
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Executive produced by award-winning filmmakers Werner Herzog and Errol Morris, The look of Silence Is about director Joshua Oppenheimer’s footage of perpetrators of the 1965 Indonesian genocide. A family that survives the genocide in Indonesia confronts the men who killed one of their brothers.This film focuses on where the murderers remain in power: he confronts the men who killed his brother and, while testing their eyesight, asks them to accept responsibility for their actions. Definitely in 1h 43m, the voice of time dull of devastating events such as death threats, betrayal, war atrocities, and for those victims of Indonesia’s communist purge and more will amaze you. Despite the U.S. government played an important role in the 1965/66 mass killing in Indonesia takes a sensitive subject of the history. This unprecedented film initiates and bears witness to the collapse of fifty years of silence. Silence, in other words, is the sound of reconciliation with different ideologies that only emphasize the abyss.
“Samba” reflects the goodwill of French films style
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From Olivier Nakache and Eric Toledano, the acclaimed writing and directing duo of The Intouchables, are back with “Samba.” For ten years, Senegalese immigrant Samba (Sy) has stayed under the government radar, taking menial kitchen jobs in the hope of becoming a professional chef. Suddenly, as his longtime ambitions for a better life seem just within reach, immigration authorities hit Samba with an order to leave France immediately. Stubbornly holding onto his dream, Samba pins his hopes for a reprieve on a local immigration advocacy center and Alice (Gainsbourg), an emotionally vulnerable volunteer with little experience but plenty of heart. He finds a second home at the center with Alice and her colleagues, including brusque law student Manu (Izïa Higelin), do-gooder Marcelle (Hélène Vincent) and naïve Maggy (Jacqueline Jehanneuf), as they search for a way for him to stay in France.
During 1 hr. 58 min Olivier Nakache and Éric Toledano reflect a new comic drama style. Both are versatile and irresistible. This film is, in the context of French society, quite embarrassing. The French are often loved for being articulate and sophisticated. But this film reveals that there is still profound resistance to engage with the issues of representation of French society because of resistances to debate about immigration, multiculturalism, and race. Anxiety, confusion, and discomfort are elements seen in this film in which ending will surprise you.
Love not always is so aboveboard as in Paper Towns
By Alfonso De Elias
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Adapted from the bestselling novel by author John Green (“The Fault in Our Stars”) and director Jake Schreier, Paper Towns is a coming-of-age story centering on Quentin and his enigmatic neighbor Margo, who loved mysteries so much she became one. After taking him on an all-night adventure through their hometown, Margo suddenly disappears–leaving behind cryptic clues for Quentin to decipher. Here is when true love will be as profound as friendship.
Although this great film involves a particular social group of high school friends and this exploration of the kind of relationship that can’t help but teach us a little bit about ourselves and how some young lovers react after loving an idea of a person. With a great cast Nat Wolff, Cara Delevingne, Halston Sage, Austin Abrams, Justice Smith, Jaz Sinclair, thus film has awesome things should happen and adventures should be started.
Your behavior might be wilder than ever in Wild Tales
Review by Alfonso De Elias
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From Director Damián Szifron and a great cast Ricardo Darín, Oscar Martínez, Leonardo Sbaraglia, Érica Rivas, Rita Cortese, Julieta Zylberberg, and Darío Grandinetti that makes each character a different world around you. A waitress adds a special ingredient to an arrogant loan shark’s meal in one of several tales dealing with extremes of human behavior. With great energy in some stories more than others, stress and depression for many people could result in a well and interesting dark comedy with certain tragedy. It was co-produced by Agustín Almodóvar and Pedro Almodóvar. The film’s musical score was composed by Gustavo Santaolalla so now debuts on Blu-ray, DVD and digital HD in 122 minutes in Spanish language with English subtitles. All these elements can be enjoyed in each scene with deception and revenge make it true artistic vision.
Irrational Man would be your best experience in life
By GTVW Staff
Photos by Agencies
Woody Allen’s Irrational Man is about a tormented philosophy professor who finds a will to live when he commits an existential act and emotionally unable to find any meaning or joy in life. Abe feels that everything he’s tried to do, from political activism to teaching, hasn’t made any difference.
Soon after arriving to teach at a small town college, Abe gets involved with two women: Rita Richards (Parker Posey), a lonely professor who wants him to rescue her from her unhappy marriage; and Jill Pollard (Emma Stone), his best student, who becomes his closest friend. Definitely one of the better casts Allen has had in this film so during 1 hour and 34 minutes you will be involve in many decisions and actions alter the main character of Abe through an existential act gives rise to a murder plot that ends with his unintended collateral victims. In all probability is a film that connects with a broad audience.
The tears of the world are a constant quantity in “Boulevard”
By GTVW staff
Photo by Agencies
People are really looking forward to this film. Robin Williams has always been an excellent dramatic actor and this film makes his last role one of the best. The routine of everyday life quietly peels away to reveal the struggle of a loving husband in conflict with his inner-self in Boulevard. While Nolan Mack (Robin Williams) and his wife Joy (Kathy Baker) wake up under the same roof each morning, separate bedrooms underscore the disparate worlds they are living in. His emotional journey begins to unfold with a drive down a desolate city street where he encounters a troubled young man named Leo (Roberto Aguire). As lost time slowly awakens Nolan’s secret life, he realizes that truth is an opportunity for change.
Directed by Dito Montiel and written by Douglas Soesbe, this film makes Robin’s role one of his best and serious roles with a bitter sadness and has the ability to feel and portray emotion with such genius, both through laughter and pathos, was his curse as well as our gift as audience adorers.
A film full of contrast and passion in “Jimmy’s Hall”
By GTVW Staff
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From Director Ken Loach and a well structured cast Barry Ward, Francis Magee, Aileen Henry, Simone Kirby, Stella McGirl, Sorcha Fox, Martin Lucey, Mikel Murfi, Shane O’Brien, as spectator you will enjoy for 106 minutes the great story of Jimmy Gralton’s sin was to build a dance hall on a rural crossroads in an Ireland on the brink of Civil War In 1921. The Pearse-Connolly Hall was a place where young people could come to learn, to argue, to dream… but above all to dance and have fun. As the hall grew in popularity its socialist and free-spirited reputation brought it to the attention of the church and politicians who forced Jimmy to flee and the hall to close.
A decade later, at the height of the Depression, Jimmy returns to Co. Leitrim from the US to look after his mother and vows to live the quiet life. The hall stands abandoned and empty, and despite the pleas of the local youngsters, remains shut. However as Jimmy reintegrates into the community and sees the poverty, and growing cultural oppression.
Definitely is a smart and familiar film, full of turbulent times for each character and celebrates the spirit of these free-thinkers. The best key element is the Jazz Music with certain predictable anti-clerical anti-Irish stereotype. Even Ken Loach tends to be unsubtle when he is making some political points; however, this film earns points in many facts such as all violent protests that the main character has to face from the church for running a dance hall where his freedom has been compromised.
