suspense
A new Evil Dead comes with The Damned
By Jenny Alvarez
Photos Agency
The Damned is a movie with certain possessive haunter. The story begins with an American (Facinelli), widowed from his Colombia-born wife, who flies to Bogota with his new fiancée (Myles) to retrieve his rebellious teenage daughter Jill (Ramos). After a car accident leaves them stranded in a rundown isolated inn, they discover the old innkeeper has locked a young girl in the basement and their decision to set her free has unintended consequences. Even the plot and sequences of each scene is very predictable, it has many elements so visually is sickening and scared and the characters can’t go anywhere without being haunted, kidnapped, lost, or attacked. The purpose of scares is very well structured with some dialogues that are helped with an old spooky house. Definitely the cast is really talented where Nathalia Ramos is a part of it. She’s an amazing actress and Peter Facinelli is a great actor as well and the spectator will enjoy it during August in many movie theaters in USA.
A complex storyline will get your attention in “Enemy”
By Alfonso De Elias
Photo: Courtesy
Enemy, adapted from Nobel Prize-winning author José Saramago’s 2004 novel “The Double”, is about the power of the subconscious. In the end, only one man can survive. Adam Bell (Gyllenhaal) is a glum, disheveled history professor, who seems disinterested even in his beautiful girlfriend, Mary (Laurent). Watching a movie on the recommendation of a colleague, Adam spots his double, a bit-part actor named Anthony Clair, and decides to track him down. The identical men meet and their lives become bizarrely and irrevocably intertwined. Enemy is a mysterious and strangely atmospheric thriller but full of dominance and dark mood. Chaotic is the main element of manipulation in some parts of the film Even though the story is indecipherable, it remains enjoyable especially when 2 lead personalities are twins because they cover that in the story with one of guy’s mothers open to some sort of interpretation where you’re not supposed to know specifically what it is, but it leaves itself open to analysis. At 90 minutes you will enjoy a very odd, though. It is very much like a combination of David Lynch and Hitchcock. It is a cinematic nightmare and descent into a man’s psyche full of good scenes and camera movements.
