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Good choices for the next and new American Idol
The contestants will sing more standards as they are what formulated the music business so Jennifer Lopez, Keith Urban and possible Harry Connick Jr. The last one has not confirmed yet for judges in “American Idol.”
Picnic Proposal Park
Renoir is a touch of love on a canvas
By Jenny Alvarez
Set on the French Riviera in 1915, RENOIR follows Impressionist master Pierre-Auguste Renoir (Michel Bouquet), who is tormented by the loss of his wife, the pains of arthritis, and the news that his son Jean (Vincent Rottiers) has been wounded in action. When the incandescent Andrée, aka Dédé (newcomer Christa Théret,) miraculously enters his world, the artist is filled with an unexpected energy. Blazing with life, radiantly beautiful Dédé will become Renoir’s last model inspiring some of his most renowned works including Les baigneuses (The Bathers). Back at the family home in Cagnes-sur-Mer to convalesce, Jean too falls under the spell of the new, redheaded star in the Renoir firmament. In their Mediterranean Eden, and in the face of his father’s fierce opposition, he falls in love with this wild, untamable spirit, and as he does so, within weak-willed, battle-shaken Jean, a filmmaker begins to grow.
This film has the complex relationship between father and son. Pierre-Auguste may be haunted by the loss of his younger wife and fearful of what might befall two of his sons serving during World War 1, but painting is still his life. Renoir includes his sense that wars shatter natural cross-border fraternities, the harshness of the class prejudices, the increasing disrespect for culture and also how his last muse was. This film is full of beautiful scenes of the countryside and some dialogues are plain but witty in some contents of Renoir’s canvasses into a visual blast of natural color and sound on the big screen full of romantic attentions in 111 minutes (A little long so you should be full of energy otherwise it could be very boring).
The new horror and torture subgenre comes with The Collection
After a stint in prison, Arkin (Josh Stewart) finds employment as a handyman. But Arkin decides to rob his boss in order to repay his ex-wife (Daniella Alonso). Venturing to his employer’s remote country house to make the heist, he soon finds himself — as well as the boss’ family — at the mercy of “The Collector.” This masked menace turns the house into a maze of fiendish traps. Only Arkin’s wits offer any hope of escape from gruesome death. This bloody, visceral entry in the “torture porn” genre is the directorial debut of screenwriter Marcus Dunstan, whose previous credits include Feast and Saw IV.
The Collector stands out as a film that resists compromise on the screen. He is not exactly identical to any other horror villain, is an amalgamation of various villains with his unique identifying feature being that he collects people, so to speak. Certainly If all you know how to do to make people squirm in their seats is play techno music and rely on way too much fake blood you shouldn’t be making movies but you have the option to stayed in your seat or leave it!
Marcus Dunstan talked about his movie: “I grew up with horror movies and we had to create the attic and box and set up the path of the collector’s mind, we had to build up the lashes, The character tried to protect his family so maybe we can continue with a second part but we have to review many things that we still have to answer and create a good sequel!”
Emma Fitzpatrick: “During the process of this character, I only had emotional scars, she makes you to think and identify some options for escaping and something was wrong and she always defeat until the last second.”
Patrick Melton: “My character has to face risky moments especially when he is involved with blood and a sickness mind, is really a challenge.”
